Studies in British Literature: Restoration Era through World War I
Curriculum guideline
Some or all of the following methods will be used:
- Lecture/discussion;
- Group work;
- Peer editing;
- Group or individual presentations;
- Independent research;
- Instructor feedback on students’ work; and
- Individual consultation.
All second-year English literature courses share the following features:
- Students are presumed to be proficient in the writing of critical essays on literary subjects.
- Students are required to read in the course subject area beyond the texts assigned by the instructor or discussed in class.
- Students are required to incorporate into their oral and written coursework secondary source materials. These may include autobiographical or biographical material; literary criticism or theory; unassigned texts by the author under study; relevant cultural or intellectual history; or other arts, such as music, film, or fine arts.
- Readings and topics will vary with each instructor’s presentation of a course; however, all course materials are consistent with the objectives/outcomes for this course.
In English 2317, students will examine:
- Changing theories about the nature and purpose of poetry (poetics), and about the social role and personal qualities of the poet.
- The reflection in literature of social issues such as industrialization and urbanization; the rise of the middle class; scientific discoveries and their impact on religious belief and depictions of nature; and changing views of liberty and individual rights, the roles and depictions of women, and social class.
A typical reading list will include works such as:
- Swift, Gulliver’s Travels (selections)
- Pope, Essay on Criticism (selections)
- Periodical essays by writers such as Johnson, Addison, and Steele
- Equiano, Interesting Narrative (selections)
- A selection of Romantic lyric poetry (Blake, Wordsworth, Coleridge, Byron, Shelley, Keats)
- A selection of Victorian lyric poetry (Tennyson, Barrett Browning, Browning, Christina Rossetti)
- Wilde, The Importance of Being Earnest
- Conrad, Heart of Darkness
- A selection of late 19th/early 20th century poetry (Hopkins, Hardy, Yeats)
- A selection of World War I poetry
Upon completion of any second-year English literature course, the student should
- be able to use with increased proficiency the skills of literary analysis taught in first-year English courses;
- be able to recognize the significance of the literary and non-literary or cultural context of a work being studied, such as the biographical, historical, mythological or philosophical context;
- be able to read critically and use in essays secondary sources, such as criticism and other texts by the same author, as an aid to comprehending the primary text(s) being studied;
- be able to read critically and independently works or aspects of works not discussed in class; and
- be able to formulate a thesis on a given subject in one or more specific works, and to develop this thesis using suitable textual evidence.
Upon completion of English 2317, the student should also have a deeper understanding of
- the literary principles underlying British poetry;
- the characteristic aesthetic qualities and world views associated with the literature from each of the eras studied;
- the cultural shifts within which British literature developed from the late 17th century through the early 20th century, including intellectual, social, political, economic, and technological changes;
- the evolution of secular humanism as represented in literature, for example the struggles for women’s rights and for the abolition of slavery; and
- the evolution of Western conceptualizations of the individual, as represented through literature.
- A minimum of two formal academic essays, with a combined value of at least 40% of the course grade.
- A minimum of two other evaluations.
- A minimum of 80% of the course grade will be based on writing assignments (essays, essay-based exams, journals, paragraphs). A maximum of 20% of the course grade may be based on informal writing (quizzes, short answer tests); oral reports/presentations; participation/preparation grades; and/or other non writing-intensive assignments.
- A minimum of 15% of the course grade will be based on in-class writing (essay or exam).
An anthology of British Literature, such as Abrams et al, Norton Anthology of English Literature, Vols. C, D, E, and F (current edition)
Any TWO university-transfer first-year English literature courses, or ONE university-transfer first-year English literature course and ONE university-transfer first-year Creative Writing or English writing course.