Themed sections of Literature and Academic Writing

Ursula K. Le Guin's The Dispossessed

While all sections of the same ENGL course teach students the same set of reading and writing skills, the specific texts students read and discuss in each section depend on the instructor’s area of expertise and interests. Often, instructors choose their texts based on a particular theme or topic. Below is a list describing all the themed sections of literature and academic writing that will be offered during the Winter 2027 term. If a section does not appear below, it's because it has not been identified as one with a unifying theme or topic.

For scheduling information about both the themed sections listed below and all other sections of English offered by the department, please refer to the browse classes tool.

For more information about the instructors teaching these sections and others, please see the English Department's faculty profile page.

First-Year Courses

First-Year Courses

Course Catalogue Description

In this course students will read, discuss and write about at least one major theme in literature and culture, such as crime and punishment, gender roles, immigrant experiences, or paradise lost. Texts studied will be drawn from at least two literary genres.

Topics

Nancy Earle
Section 006
In Person

 

Friendship has been described as “an institutionless institution.” As the literary critic Gregory Jusdanis observes, friendship is “a legally, religiously, and economically inconsequential affiliation. There is no fixed beginning or end of friendship, no rite celebrating its appearance, and no covenant sealing its existence.” At its most basic level, all friendship seems to demand of us is our empathy—our willingness to imagine and engage with the thoughts and feelings of another—and our time. For these reasons, Jusdanis intriguingly suggests, friendship may in fact have a lot on common with the act of reading.
In this course we will study poems, films, and works of fiction that deepen and trouble our understandings of friendship. What makes friendship possible or impossible? What does friendship make possible?

 

Liz McCausland
Section 001
In Person

 

Embodying Gender
Note: This section can count as a relevant course in an Associate of Arts Specialization in Gender, Sexualities, and Women's Studies.
In this course we will consider how bodies and gender identity are related. Some of the questions we will are explore are: How are gender roles and norms shaped by bodies and our assumptions about what they are capable of? How do the gender norms affect bodies and how we feel about them? How do people use their bodies as part of their gendered self-presentation? Some of the topics we will are consider are  work, body image and beauty standards, and the different kinds of value our culture places on gendered bodies. We will read poetry, short stories and a novel, Headshot by Rita Bullwinkel.

 

Ryan Miller
Sections 012 and 013
Hybrid


ENGL 1102 aims to recognize and understand a variety of literary devices and textual elements, and in so doing promotes the development of close reading and analysis skills. Using post-apocalyptic, crime, and speculative works of fiction, we will contemplate the limits of humanity, particularly where the rougher edges of experience expose failures within and without. These novels are Waubgeshig Rice’s Moon of the Crusted Snow (2018), Patricia Highsmith’s The Talented Mr. Ripley (1955), and Margaret Atwood’s Oryx and Crake (2003). This section uses hybrid delivery, which combines in-person classes with asynchronous online tasks in Blackboard that students will be responsible to complete each week.

 

Leni Robinson
Sections 010 and 011
In Person


Literature and the Natural Environment 
A woman attacked by a brown bear in Kamchatka, Russia; a Polynesian island torn by personal, political, and economic conflict; and a girl learning to live alone in a post-apocalyptic landscape—these are a few scenarios explored in the works that we will read this term. The novels, memoir, poems, essays and films present competing understandings of the natural world: is it, for example, a wilderness, a raw material, a playground, or a garden? While we consider these questions, we will focus on developing our ability to enjoy, respond to, analyze, and write about literature.

 

Course Catalogue Description

In this course, students will read, discuss and write about fiction. Texts assigned will emphasize a variety of genres, such as realism, fantasy, mystery and romance, and may reflect significant developments in the history of fiction.

Topics

Noëlle Phillips
Sections 003 and 004
In Person


Vampires have been popular for a long time; they're sexy, they're dangerous, and they always have great skin. But why are we so interested in this particular kind of monster, an undead super sociopath who was once human? We will be reading a range of vampire tales in order to learn more about what people, past and present, fear, desire, and detest. Vampires may not be real, but the stories we create about them reveal important aspects of the human experience.

 

Ryan Stephenson
Sections 005 and 006
Hybrid


This course will deal with the concept of artificial intelligence and its representation in literature and culture. Obviously, this is a popular topic in contemporary media, but writers have been exploring the idea of mechanical beings and manufactured intelligence for centuries. These narratives impact the way we think about AI today, just as historical concerns determined the way that literary texts represented AI in the context of their creation. Readings, lectures, writing assignments, and group work will address a number of related issues, including the relationship between human beings and their technological others, the role of gender in artificial intelligence, the political ramifications of technological dependence, and the changing definition of humanity in the context of technological advances.

 

Course Catalogue Description

In this course students will read, interpret and write about plays as literature, including elements of stagecraft and performance. Plays assigned may emphasize a variety of genres (such as tragedy, comedy, the one-act play, the dramatic monologue) and may reflect significant developments in the history of theatre, from its beginnings to the present.

Topics

Jason Bourget
Section 050
In Person

 

In this section of ENGL 1115, we will explore how drama allows us to explore politics, philosophy, and identity. Starting with Shakespeare’s 1 Henry IV and then moving on to more contemporary plays, we will discuss how theatre lets us work through concerns about political legitimacy, examine the relationship between politics and violence, interrogate connections between identity and ethnicity, and speculate about the meaning and value of a life lived. While we have this wide-ranging discussion, we will also spend some time thinking about how plays are performed on stage and adapted to media such as film and television.

 

Course Catalogue Description

This course introduces students to the process of writing academic argument papers, and to strategies, assignments and exercises that develop their abilities as researchers, readers and writers of scholarly prose. Students will examine the general principles of composition, and the specific conventions of academic writing as practiced in several disciplines, particularly in the arts and humanities. Students will gain experience in locating, evaluating and using sources within their own writing.

Sections Focused on Specific Topics

Jason Bourget
Section 053
In Person


The Ethics of Animal Rights

 

Noëlle Phillips
Sections 013 and 014
In Person


Critical Thinking, Conspiracies, and Misinformation

 

Leni Robinson
Sections 019 and 020
In Person


Activism, Advocacy, and Conflict Resolution

 

Ryan Stephenson
Sections 026 and 027
In Person
 

Personal, Social, and Global Health

 

 

Second-Year Courses

Admission to second-year English courses is open to all students who have taken any two university-transfer first-year English literature courses, or one university-transfer first-year English literature course and one university-transfer first-year Creative Writing or English writing course.

Course availability

For a list of available sections, please visit course catalogue
Browse course catalogue