Introduction to Audio Recording
Overview
- Introduction to Avid Pro Tools
- Audio parameters and critical listening: frequency, amplitude, stereo field and phase
- Basic analog and digital theory
- Mixing environments: headphones, amplifiers, speakers and acoustic treatment
- Microphone techniques: microphone types, choice, configuration and position, recording environments
- Recording techniques such as double tracking, loop record and punch-in recording
- Working with consoles: signal flow and routing
- Signal Flow in Pro Tools: audio routing, groups and bussing
- Editing and manipulating digital audio: clip gain, editing, automation, elastic audio
- Signal processing: compression, EQ, time-frequency domain effects, harmonic distortion
- Mixing techniques: gain structure, compression, frequency balance and reverb
Lecture/demonstrations and hands-on lab and studio work.
Assessment will be based on course objectives and will be carried out in accordance with the Douglas College Evaluation Policy. An example evaluation scheme is provided below.
| Lab Exercises (minimum of 2) | 20% |
| Recording and Mixing Projects (minimum of 2) | 50% |
| Quizzes and Tests (minimum of 2) | 20% |
| Attendance and Participation | 10% |
| Total | 100% |
Instructors may use a student's record of attendance and/or level of active participation in the course as part of the student's graded performance. Where this occurs, expectations and grade calculations regarding class attendance and participation will be clearly defined in the Instructor Course Outline.
On successful completion of the course, students will be able to:
- Explain basic analog and digital audio theory;
- Identify changes to audio parameters by ear;
- Route signals through an audio console;
- Set up and run a multitrack recording session in Pro Tools;
- Describe characteristics and specifications of different microphones;
- Make informed microphone choices, placement and miking techniques for recording various audio sources;
- Critically assess recording and monitoring environments;
- Set up Pro Tools and audio routing for larger projects, including group bussing and parallel effect processing;
- Edit and manipulate digital audio: clip gain, automation, elastic audio, playlist compiling;
- Mix a multi-track audio project using tools such as equalization and compression to control the frequency and dynamic content of an audio recording.
No texts or materials are required. All required hardware and software for the completion of assignments and projects is available on campus. Students may wish to purchase software licences enabling them to work on assignments off campus. A complete list of recommended software will be available at the first class session.
Requisites
Prerequisites
None
Corequisites
None
Equivalencies
None
Course Guidelines
Course Guidelines for previous years are viewable by selecting the version desired. If you took this course and do not see a listing for the starting semester / year of the course, consider the previous version as the applicable version.
Course Transfers to Other Institutions
Below are current transfer agreements from Douglas College to other institutions for the current course guidelines only. For a full list of transfer details and archived courses, please see the BC Transfer Guide.
| Institution | Transfer details for MUSC 1282 |
|---|---|
| Kwantlen Polytechnic University (KPU) | KPU MUSI 1XXX (3) |
| Simon Fraser University (SFU) | SFU GE 1XX (3) |
| Trinity Western University (TWU) | TWU MUSI 341 (3) |
| University of British Columbia - Okanagan (UBCO) | No credit |
| University of British Columbia - Vancouver (UBCV) | No credit |
| University of Northern BC (UNBC) | No credit |
| University of Victoria (UVIC) | UVIC MUS 306 (1.5) |
| Vancouver Island University (VIU) | Individual Audition Required. |
Course Offerings
Fall 2026
| CRN | Days | Instructor | Status | More details |
|---|---|---|---|---|
|
CRN
37700
|
Mon Tue | Instructor last name
Fairbairn
Instructor first name
Hazel
|
Course status
Open
|