Continuation of the study of tonal harmony with emphasis on chromatic harmony and advanced modulatory techniques.
Non-dominant and leading-tone seventh chords, modal mixture, harmonic sequences, the Neapolitan sixth chord, augmented sixth chords, altered and extended dominant chords, embellishing diminished seventh chords, and techniques of modulation to closely-related and distantly-related keys.
Methods of Instruction
Concepts and techniques are presented and discussed in the lectures; assignments are undertaken by the students.
Means of Assessment
|Assignments (minimum of 5)
|Class Participation and Homework Checks
|Quizzes and Speed Drills (minimum of 10)
|Tests (minimum of 2)
The student will learn harmonic, melodic, rhythmic, and structural materials of tonal music. The student will be expected to:
- provide an analysis of representative musical excerpts or entire compositions;
- harmonize in four-part style a given bass (figured or unfigured) or soprano;
- provide written answers to questions on any aspect of the course content.
MUSC 1210 or special permission
Course Guidelines for previous years are viewable by selecting the version desired. If you took this course and do not see a listing for the starting semester/year of the course, consider the previous version as the applicable version.
Below shows how this course and its credits transfer within the BC transfer system.
A course is considered university-transferable (UT) if it transfers to at least one of the five research universities in British Columbia: University of British Columbia; University of British Columbia-Okanagan; Simon Fraser University; University of Victoria; and the University of Northern British Columbia.
For more information on transfer visit the BC Transfer Guide and BCCAT websites.
If your course prerequisites indicate that you need an assessment, please see our Assessment page for more information.